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奥古斯汀·巴利奥斯在其生涯中是曾经被誉为“吉他魔王”的一位鬼才。据说,他的技巧在当时就如同超人一般,就连巨人A·塞哥维亚也畏惧这位最伟大的敌人,在敬而远之之余,塞哥维亚一生都未曾把巴利奥斯的作品列入演奏曲目的范围内.奥古斯汀·巴利奥斯（188年——1944年）于1885年5月5日,生于巴拉圭的圣胡安·巴迪斯达（San Juan Bautista de lasMisiones）。从幼儿时代开始,他就显示出对节奏与和声的敏锐反应。在南美这个小国度里,几乎每一个人都喜欢音乐,尤其是基督教传教士所持有的西班牙音乐与当地土著民谣的混血状态,奥古斯汀·巴利奥斯当然也是在这样的环境中长大,其后的不久,似乎才开始拥有了他独立的理论。
Augustine Barlios was a devil in his career once known as the “guitar devil.” It is said that his technique was superhuman at that time, and even the giant A · Segovia was also afraid of this greatest enemy. At a great distance, while living in Segovia, Barios’s work was never listed Within the range of the performance track Augustin Barlios (188 - 1944) On May 5, 1885, Born in Paraguay, San Juan Bautista de lasMisiones ). Since childhood he has shown a keen reaction to rhythm and harmony. Almost everyone in South America, a small country like music, especially the mixed state of Spanish music and local Aboriginal folk held by Christian missionaries, is of course in such an environment as Augustine Barlios Growing up, and shortly thereafter, seemed to begin to have his independent theory.