用毛笔写字,应注意提按动作,具体地说:提按,从笔尖的变化看,就是笔锋着纸深浅不同(当然,必须辅助于必要的速度、角度配合),而反映到作品中,则是有形的“笔画”与无形的“体势”的集中体现。就是说,有形的笔画离不开提按来实现,无形的体势同样需要提按的作用来表现。正因为如此,提按始终在书法艺术技法中占据突出的位置,也备受书家的重视。 Writing with a brush pen, should pay attention to the mention of action, specifically: mention, from the pen point of view, is the front of the paper with different shades of depth (of course, must be assisted at the necessary speed, angle with), and reflected in the work, then It is the concentrated reflection of the tangible “stroke” and the invisible “body power”. That is to say, tangible strokes can not be done without mentioning, invisible body also need to mention the role of the press to show. Because of this, the mention has always been prominent in the art of calligraphy occupy a prominent position, but also much the book’s attention.