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乾隆时期建筑室内通景画装饰在皇宫内盛行一时,但是,通景画的流变则经历了“西法中化”的过程,由于乾隆皇帝的喜好和中国传统审美的影响,通景画从西方式绘画逐渐演变为更加具有中国味,从三希堂通景画的演变,到宁寿宫花园多幅通景画的绘制,都能够验证这一事实的存在。本文试通过档案记载和现存实物相结合,论述通景画的“西法中化”的演变过程,分析产生变化的内在与外在原因,以及这一现象所反映的中西文化的交融和冲突。
However, the flow of Tonghua landscape has gone through the process of “Xi Fa Sinification ”. Due to the preference of Emperor Qianlong and the influence of Chinese traditional aesthetic, Tong Jinghua The gradual evolution from western-style paintings to more Chinese flavors, the evolution of the Three Kingdoms landscape paintings and the drawing of multiple landscape paintings in the garden of Ningshougong can verify the existence of this fact. Through the combination of archives and extant objects, this paper discusses the evolution of Tonghua’s “Xi Fa Sin Sin”, analyzes the inherent and extrinsic causes of change, and the blending and conflict between Chinese and Western cultures reflected by this phenomenon .