论文部分内容阅读
19世纪末,杜威在美国开创了一个拥有浓厚本土特色的美学流派——实用主义,并以此在美学领域掀起了一场变革,他希望揭开长久以来笼罩在艺术之上的神秘面纱,将艺术与经验、生活联系在一起。但由于种种历史上的原因,以及杜威思想所表现出的局限性,最终导致了实用主义思想走向衰落。然而在新世纪中,舒斯特曼采取一种中间的姿态,在分析哲学与解构主义之间构建了一条道路,应用他所具有的包容性思想使得在学术界中沉寂已久的实用主义美学思想重新焕发出新的生机。本文试图通过对于杜威和舒斯特曼两者思想的比较,来分析实用主义思想的重新崛起。
At the end of the nineteenth century, Dewey in the United States to create a beautiful local school with a strong aesthetic style - and pragmatism, which set off a revolution in the field of aesthetics, he hoped to uncover the mystery has long been shrouded in art, the art Associated with experience and life. However, due to various historical reasons and the limitations shown by Dewey’s thought, the pragmatism eventually led to decline. However, in the new century, Schusterman takes a middle attitude and constructs a road between analytic philosophy and deconstructionism. Using the inclusive thought he has, the pessimistic pragmatist aesthetics in academia Renewed a new life. This article attempts to analyze the relaunch of pragmatism through the comparison of both Dewey and Shusterman.