篆刻作为一门艺术是有技巧的,仅胆大不是艺术。对学艺者来说“艺”是技巧,“术”是学术,是文化底蕴,二者不可分开。刻印时章法,刀法是技巧,但表现的是风神。这与作者的文化底蕴有关,说到底还是要体现其文化涵养。技巧是骨肉,文化是灵魂。没有灵魂的骨肉,只是行尸走肉。所以,写字,刻印都要有文化来支撑。因此,作品要从技巧和文化两方面来评价。从事篆刻创作,不仅要捉刀刻石,更要抓紧时间读书,读书是攻艺 Carving is artful as an art, and boldness is not art. For art students, “art ” is a skill, “art ” is academic, is cultural heritage, the two can not be separated. Engraving chapter law, knife method is a skill, but the performance is Fengshen. This is related to the author’s cultural heritage, in the final analysis or to reflect its cultural conservation. Skills are flesh, culture is the soul. Soulless flesh, just a walking dead. Therefore, writing, marking must have a culture to support. Therefore, the work should be evaluated from two aspects of skills and culture. Engaged in carving creation, not only to catch a knife stone, but also seize the time to study, study is the art of attack