一、引言关于文学本质问题的争论,学术界已经探讨了很久。其中,审美的意识表现形态被认为是认同程度最高、影响最大的一种文学本质论。从新时期以来,在文学界有最大变化的理论争议莫过于文学本质的观念多样化,它不仅包括象征论本质论、主体论本质论、认识论本质论,还包括文学的审美意识形态论和生产论的文学本质论等。其中,审美意识形态论被誉为“一个时代的文学人根据当代的要求而提出集体理论的创新”。 I. INTRODUCTION The controversy over the nature of literature has long been under discussion in academia. Among them, the aesthetic form of consciousness is considered to be the highest degree of identity, the most influential theory of the nature of literature. Since the new period, the most controversial theoretical change in literary circles has been that the concept of literary essence is diversified. It includes not only the essence of symbolism, the essence of subjectivity, the theory of epistemology, but also the literary aesthetic ideology and production theory The essence of literature. Among them, the aesthetic ideology is known as “an era of literary people in accordance with the requirements of the contemporary and put forward the collective theory of innovation ”.