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《大太阳》是一部以汶川地震后废墟上的人们走出灾难阴影、重建心灵家园为题材的电影,在汶川地震三周年之际,有这样一部温暖人心的凭吊之作,也确实是恰逢其时。“平民导演”的执着与特色众所周知,名导冯小刚一直都担着“平民导演”的名头,不过若真比起来,《大太阳》的导演杨亚洲要比冯小刚更称得上这个头衔,不管是早期的电影《背靠背脸对脸》、《没事偷着乐》,还是后来转战电视剧的《空镜子》、《浪漫的事》,杨亚洲的视角从来没有离开过那些身处在社会中低层的小市民们,而故事落脚处一般也就是一番家长里短之后的安然与平淡,他非常善于从平民生活中去挖掘和玩味体现人性光辉的细节,这些作品的节奏大多很缓慢,用时间的铺排来积淀酝酿情绪,让观众自身去与角色建立依恋感,从而使得一种归属与亲近之情油然而生。
“The Great Sun” is a movie of the people on the ruins after the Wenchuan earthquake that walked out of the shadow of disaster and rebuild the spiritual homeland. On the occasion of the third anniversary of the Wenchuan earthquake, At any time. “Civilian director ” dedication and characteristics As we all know, director Feng Xiaogang has always been carrying “civilian director” of the first name, but if so, “Big Sun” director Yang Asia is more affordable than Feng Xiaogang This title, whether it is the early movie “Back to Back Face to Face”, “nothing to steal music”, or later fought drama “empty mirror”, “romantic”, Yang Asia’s perspective has never left those who are living He is very good at digging and pondering the details of humanity from the civilian life. The rhythm of these works is mostly slow, with time The plot to accumulate brewing emotions, so that the audience to establish their own sense of attachment with the role, so that a kind of affiliation and intimacy arises spontaneously.