看了北京市戏曲剧团年终汇报演出以后,有不少人对北京京剧团演出的“一匹布”发出了衷心的赞扬,但也有少数人既承认它是一出好戏,同时又提出了一些意见。这些意见也有涉及到剧本主题思想的,但大多数却是就剧中几种表现手法而发的。如有人说:“李天龙和沈翠花在洞房里的对话,使躺在城墙角落里的张古董起了反应,扣得虽然很紧,但不够合理。”如“四合老店的伙计变成了县衙门的师爷,驴夫变成了县官,虽能逗人一笑,但出了戏。”……我认为,对待艺术上的问题,先不应该有个现成的框子,既然承认“一匹布”好,应该研究的倒是它好在哪里,为什么好。 After reading the Beijing opera troupe’s year-end report show, many people gave heartfelt commendations to the “Beijing Opera Troupe” performing “One Cloth”, but a few also recognized that it was a good show and at the same time put forward some opinion. These opinions also involve the theme of the script, but most of them are based on several performances in the play. If someone said: “Li Tianlong and Shen Cuihua dialogue in the bridal chamber, so that lying in the corner of the wall of the antique played a reaction, buckle although tight, but not reasonable.” Such as “Sihetu old man became a County Yamen’s master, donkey husband into a magistrate, although laughter, but out of the drama. ”... ... I think, to deal with artistic problems, there should be no ready-made frame, since the recognition of“ a Cloth ”Well, it should be studied but where is it good, why good.